If the text had been written in a different time or place or language Essay

If the text had been written in a different time or place or language or for a different audience, how and why might it differ - Essay Example oneness of the ways Solzhenitsyns formulate deviates from the conventions of movie genres of the 1950s is the manner in which rhetorical devices have been used. Particularly, the cause of the movie goes against the grains of the time to use skepticism. At the time, it is obvious that the movie industry had begun using suspense, but this suspense had been forward-looking. Contrary to this approach, Solzhenitsyns suspense is forward-looking. Particularly, in the opening of the movie, the plotline is set running straight onwards, without the provision of both background information. For instance, the movie begins with the sounding of a wake-up call in a Stalinist labor camp, on a chilly winter morning, in 1951. Because of this, the audience is compelled to concentrate on the details being provided in the movie, in order to make meaning out o f the movies sudden and unexplained beginning. This stylistic device sets One Day in the Life of Ivan Denisovich apart from its contemporaries. ... This serves as a point of way out between Solzhenitsyns work and others. Other literary works had not had the solid resolve as Solzhenitsyns, to depict the excesses of autocratic regimes. The excesses of absolutism are exemplified in the lives of the prisoners. For instance, most of the prisoners have been incarcerated, mainly on one thousand of suspicion. Shukhov is sentenced to a life of imprisonment and cruel punishment in this Soviet gulag system for acts of espionage, though he is innocent. In like manner, Alyoshka is a devout Baptist, full of faith but is imprisoned, all the same. The heartlessness of Stalinism in this camp is attested by scarcity of food and food rationing and the compelling of prisoners to work in freezing temperature, as long as this temperature does not fall below -42oC. Overall, there is lucidness in obser ving that Solzhenitsyns work is not dedicated to withstanding the highhandedness of Stalinism, but to reveal to the world, the inhuman excesses of Stalinism. The event of this is that One Day in the Life of Ivan Denisovich is different from other film genres since it surpasses the common role of entertainment to take on a moral cause (Solzhenitsyn, 1988, 125). The themes and motifs that Solzhenitsyns work advances presents a point of abidance with other works of art. Some of the themes that Solzhenitsyn presents for discussion include the struggle for human dignity (the depiction of rough life in the prison camp invites this), the immorality of unjust punishment (the inhuman condemnation to a harsh life on false basis underscores this), and the need for faith (as is presented by the resilient constitution of